![]() Related: Breaking Bad: Every Godfather Hidden Reference In The Show The film would've been split over two timelines - a prequel exploring the rise of Vito, and a more modern story starring Andy Garcia's Vincent. This isn't the first time The Godfather 4 has been mooted - Coppola himself began mapping out ideas in the 1990s. Although the studio admit there are currently no plans for a Godfather continuation, they also claim that another sequel could still happen if a worthy story arose. While The Godfather, Coda: The Death of Michael Corleone still does not manage to eclipse the sheer brilliance of its predecessors, it does salvage Sofia’s performance by imbuing it with new-found meaning.The release of The Godfather: Coda has reignited talk of a potential fourth film in the saga, and Paramount has refused to rule out the idea completely. After all, it is incredibly difficult to be a part of one’s father’s legacy, that too as a last-minute replacement, only to be ridiculed by audiences and critics alike. However, with her death, all hopes for paradise are dashed, and Michael is doomed to live with his insurmountable guilt.Īlso, like Cordelia, and Mary - two fictional characters who ultimately suffered due to the sins of their fathers - Sofia Coppola, too, faced a similar fate. Much like Cordelia, who was the apple of Lear’s eye, Mary’s existence is almost-sacred to Michael, as she is someone whom he holds dearest, who is removed from sin, and is the embodiment of innocence. Instead, the new cut ends with an anguished and utterly shattered Michael, cradling the limp body of Mary, his silent screams piercing the air like that of King Lear on finding a dead Cordelia. Coppola removes the original ending, in which Michael dies unceremoniously by slumping over his chair, alone at his Lake Tahoe compound. Moreover, the new ending of The Godfather Coda denies Michael the redemption he is desperately seeking, along with the sweet escape of death. This perspective grants a fresh spin to Sofia Coppola’s performance, as it now appears to be more rooted in the character she was supposed to embody. This would inevitably manifest through her quiet, awkward stance, as she is merely an adolescent girl unsure of her footing within the Corleone family. ![]() It makes sense for Mary to be haunted by the sins of her father in The Godfather III, who is, above all, the head of a powerful criminal organization. When analyzed from this particular lens, Sofia Coppola’s performance as Mary Corleone comes off as more authentic, albeit rooted in an off-handed naturalism. However, redemption eludes Michael, as he finds himself embroiled in the murky politics of the Immobiliare conglomeration and finds himself knee-deep in guilt over the assassination of his own brother. The tragedy of Michael Corleone is exacerbated in The Godfather Coda, which emphasizes his innate need for expiation for his sins by opening the film with Michael meeting with the Archbishop. ![]() Related: Why The Godfather Part III Took So Long To Make The changes in The Godfather Coda serve to remold the third installment in the trilogy as a fitting epilogue, an element that was majorly absent in the original cut. ![]() Coppola is no stranger to the Director’s Cut format, as exemplified in 2001’s Apocalypse Now redux, which is an expanded version of his already-meticulous Vietnam masterpiece. The Godfather, Coda: The Death of Michael Corleone is a more taut re-telling of the Corleone saga, with a complete restructuring of the beginning and end - a creative decision that has granted the new cut a much more nuanced, elevated significance.
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